Mastering Music Theory - The Language Of Music

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Mastering Music Theory - The Language Of Music
Published 3/2025
MP4 | Video: h264, 1920x1080 | Audio: AAC, 44.1 KHz
Language: English | Size: 2.59 GB | Duration: 11h 6m
A complete course from zero to advanced
What you'll learn


Get started with learning the basics of music theory
Discover how music works
Become a better performer, better listener and better composer!
All theory topics are covered - rhythm, pitch, harmony, keys and much more
Requirements
No prerequisites for this course
You might find it useful to have some manuscript paper (music paper) but it's not essential
Description
Learn music theory with Victoria Williams BA(Mus), AmusTCL LmusTCL. All music theory topics are broken down for you into easy-to-understand short lessons designed in a logical order to ensure that you learn as quickly and efficiently as possible. The course covers all aspects of music theory from the basics of rhythm and pitch notation (including all clefs), through to harmony and chords (including cadences and inversions), intervals, transposition, keys and scales and tips on writing music. We also look at useful facts about musical instruments such as the clefs they use, their transposition keys, and how they work within an orchestra or band.This course is ideal for anyone wanting to discover how music works. No previous knowledge is required.Learning music theory is invaluable for musicians of any level. It deepens understanding, allowing musicians to see patterns, structures, and relationships between notes and chords. This knowledge fosters creativity by offering new ways to experiment with sound, helping overcome creative blocks. It also speeds up learning, enabling quicker memorisation and interpretation of songs/pieces. Theory enhances collaboration, as musicians can communicate using a shared language. It's beneficial across all genres, from classical to jazz to pop, and supports skills like improvisation and arrangement. Ultimately, music theory empowers musicians to be more versatile, confident, and expressive in our craft.
Overview
Section 1: Introduction
Lecture 1 Introduction to the Course
Section 2: Pitch 1
Lecture 2 Pitch - Low and High
Lecture 3 The Treble Clef
Lecture 4 The Bass Clef
Lecture 5 Ledger Lines and Middle C
Lecture 6 Accidentals - Sharps, Flats and Naturals
Section 3: Rhythm 1
Lecture 7 What is Rhythm?
Lecture 8 Time names of Notes
Lecture 9 Time Names of Rests
Lecture 10 Dotted Notes
Lecture 11 2/4, 3/4 and 4/4
Lecture 12 Beaming
Lecture 13 Ties
Section 4: Scales, Keys and Intervals 1
Lecture 14 Tones and Semitones
Lecture 15 Major Scales and C Major
Lecture 16 G Major Scale
Lecture 17 F Major Scale
Lecture 18 Tonic Sol-Fa
Lecture 19 Degrees of the Scale
Lecture 20 Interval Numbers
Section 5: Harmony 1
Lecture 21 Tonic Triads
Lecture 22 Arpeggios
Section 6: Level 1 Quiz
Section 7: Pitch 2
Lecture 23 Ledger Lines - Extending the Stave
Lecture 24 Transposing Between Clefs
Lecture 25 Transposing at the Octave
Section 8: Rhythm 2
Lecture 26 Minim (Half Note) Beat Time Signatures
Lecture 27 The Breve (Double Whole Note)
Lecture 28 Simple Time
Lecture 29 Triplets
Lecture 30 Syncopation
Section 9: Scales and Keys 2
Lecture 31 D Major Scale
Lecture 32 Bb Major Scale
Lecture 33 Minor Scales (and A Minor)
Lecture 34 E Minor Scale
Lecture 35 D Minor Scale
Lecture 36 Identifying the Key
Section 10: Harmony 2
Lecture 37 Minor Tonic Triads
Lecture 38 Chord Symbols
Lecture 39 Root Position and First Inversion Triads
Lecture 40 Arpeggios and Broken Chords
Section 11: Level 2 Quiz
Section 12: Pitch 3
Lecture 41 Enharmonic Equivalents
Lecture 42 Transposition at the Octave and Between Clefs
Section 13: Rhythm 3
Lecture 43 Demisemiquavers (32nd Notes)
Lecture 44 Compound Time - 6/8
Lecture 45 Compound Time - 9/8 and 12/8
Lecture 46 Compound Time Summary
Lecture 47 Beaming in Compound Time
Lecture 48 Anacrusis (Up-beat)
Lecture 49 Rests in Compound Time
Lecture 50 Anacrusis
Section 14: Scales and Key 3
Lecture 51 A Major Scale
Lecture 52 Eb Major Scale
Lecture 53 Melodic Minor Scales
Lecture 54 B Minor Scales
Lecture 55 G Minor Scales
Lecture 56 F# Minor Scales
Lecture 57 C Minor Scales
Section 15: Intervals 3
Lecture 58 Major and Minor 2nds
Lecture 59 Major and Minor 3rds
Lecture 60 Perfect 4ths, 5ths and Octaves
Lecture 61 Major and Minor 6ths and 7ths
Section 16: Harmony 3
Lecture 62 The Tonic Chord (I)
Lecture 63 The Dominant Chord (V)
Lecture 64 The Subdominant Chord (IV)
Lecture 65 Second Inversion Chords
Lecture 66 SATB 4-Part Chords
Lecture 67 Chord Progressions
Lecture 68 The Perfect Cadence
Section 17: Level 3 Quiz
Section 18: Pitch 4
Lecture 69 Double Flats and Double Sharps
Lecture 70 Alto Clef
Lecture 71 Alto Clef Transposition Between Clefs
Section 19: Rhythm 4
Lecture 72 Doubled Dotted Notes
Lecture 73 3/8 Time Signature
Lecture 74 Time Signatures 5/8, 7/8, 5/4 and 7/4
Lecture 75 Regular and Irregular Time
Lecture 76 Duplets
Lecture 77 Swung Quavers (8th Notes)
Section 20: Scales and Keys 4
Lecture 78 Key Signatures in Alto Clef
Lecture 79 E Major Scale
Lecture 80 A♭ Major Scale
Lecture 81 C# Minor Scale
Lecture 82 F Minor Scale
Lecture 83 Chromatic Scales
Lecture 84 Technical Names of Notes
Section 21: Intervals and Transposition 4
Lecture 85 Augmented and Diminished Intervals
Lecture 86 Compound Intervals
Lecture 87 The Tritone
Section 22: Harmony 4
Lecture 88 The Supertonic Chord (II)
Lecture 89 The Dominant 7th Chord (V7)
Lecture 90 Chord Symbols and Inversions
Lecture 91 Plagal Cadence
Lecture 92 Harmonic Rhythm
Lecture 93 Introduction to Voice Leading
Lecture 94 Conjunct and Disjunct Motion
Lecture 95 Voice Leading - Augmented and Diminished Melodic Intervals
Lecture 96 Voice Leading - Augmented and Diminished Harmonic Intervals
Lecture 97 Consecutives (Parallel) 5ths and Octaves
Section 23: Ornaments
Lecture 98 Introduction to Ornaments
Lecture 99 Ornaments - Trill
Lecture 100 Ornaments - Mordent
Lecture 101 Ornaments - Turn
Lecture 102 Ornaments - Acciaccatura
Lecture 103 Ornaments - Appoggiatura
Lecture 104 Ornaments - Grace Notes
Section 24: Level 4 Quiz
Section 25: Pitch 5
Lecture 105 Tenor Clef
Lecture 106 Tenor Clef Transposition
Section 26: Rhythm 5
Lecture 107 Compound /4 Time Signatures
Lecture 108 Irregular Tuplets
Section 27: Scales and Keys 5
Lecture 109 Pentatonic Major Scales
Lecture 110 B Major Scale
Lecture 111 G# Minor Scale
Lecture 112 Db Major Scale
Lecture 113 Bb Minor Scale
Lecture 114 Circle of 5ths
Lecture 115 Relative Keys
Section 28: Intervals and Transposition 5
Lecture 116 Transposing Instruments
Lecture 117 Transposing by a Perfect 4th or 5th
Lecture 118 Working Out Any Interval
Lecture 119 Transposition by Any Interval
Section 29: Harmony 5
Lecture 120 SATB Consecutives
Lecture 121 SATB Doubling and Omissions
Lecture 122 Voice Leading - Leading Notes
Lecture 123 Voice-Leading - 7ths in Added 7th Chords
Lecture 124 Chord VI
Lecture 125 Chord iii
Lecture 126 Chord vii°
Lecture 127 Working Out Chord Inversions
Lecture 128 Modulation
Lecture 129 Pivot Chords
Lecture 130 Imperfect Cadence
Lecture 131 Pre-Cadence
Section 30: Decoration 5
Lecture 132 Introduction to Decoration
Lecture 133 Unaccented Passing Notes
Lecture 134 Accented Passing Notes
Lecture 135 Auxiliary Notes
Section 31: Level 5 Quiz
Section 32: Pitch 6
Lecture 136 Note Names in Other Languages
Section 33: Rhythm 6
Lecture 137 Compound /16 Time Signatures
Lecture 138 Hemiola
Section 34: Scales and Keys 6
Lecture 139 F# Major Scale
Lecture 140 D# Minor Scale
Lecture 141 Gb Major Scale
Lecture 142 Eb Minor Scale
Lecture 143 C# Major Scale
Lecture 144 A# Minor Scale
Lecture 145 Cb Major Scale
Lecture 146 Ab Minor Scale
Lecture 147 Close Keys
Lecture 148 Prevailing Key
Lecture 149 Prevailing Key Identification
Section 35: Intervals 6
Lecture 150 Working Out Any Interval 2
Lecture 151 Identifying Intervals in a Score
Section 36: Harmony 6
Lecture 152 Chord v Minor (from Melodic Minor)
Lecture 153 Chord IV Major (from Melodic Minor)
Lecture 154 Chord ii Minor (from Melodic Minor)
Lecture 155 Chord III+ Augmented (from Harmonic Minor)
Lecture 156 Chord III Major (from Melodic Minor)
Lecture 157 Chord ♭VII Major (from Melodic Minor)
Lecture 158 Tierce de Picardie (Picardy Third)
Lecture 159 Using Chord Inversions
Lecture 160 SATB Voice Leading by Part
Section 37: Progression 6
Lecture 161 Interrupted Cadence
Lecture 162 Chord Progression "Rules"
Lecture 163 The Progression of 5ths
Lecture 164 Progressions and Inversions
Lecture 165 Cadential 6/4
Lecture 166 Passing Chords
Lecture 167 Passing 6/4
Section 38: Decoration 6
Lecture 168 Chromatic Passing Notes
Lecture 169 Chromatic Auxiliary Notes
Lecture 170 Auxiliary Harmony Notes
Lecture 171 Appoggiaturas
Lecture 172 Anticipations
Lecture 173 Changing Notes
Lecture 174 Pedals
Lecture 175 Simultaneous Decoration
Lecture 176 Decoration Mistakes to Avoid
Section 39: Figured Bass 6
Lecture 177 Figured Bass Introduction
Lecture 178 5/3 Root Position Chords
Lecture 179 6/3 First Inversion Chords
Lecture 180 6/4 Second Inversion Chords
Lecture 181 Figured Bass Accidentals
Lecture 182 Figured Bass Continuation Line
Section 40: Level 6 Quiz
Section 41: Scales and Keys 7
Lecture 183 Identifying the Home Key (with Chromatic Notes)
Lecture 184 Direct Modulation
Lecture 185 Minor Pentatonic Scales
Lecture 186 Aeolian Mode
Lecture 187 Dorian Mode
Lecture 188 Mixolydian Mode
Lecture 189 Phrygian Mode
Section 42: Rhythm 7
Lecture 190 Simple /8 Time Signatures
Section 43: Harmony 7
Lecture 191 Chord ii7 (Supertonic 7th)
Lecture 192 Chord vii°7 (Diminished 7th)
Lecture 193 Secondary 7th Chords
Lecture 194 The Neapolitan 6th Chord
Lecture 195 Voice Leading Secondary 7ths
Lecture 196 Voice Leading Exceptions
Section 44: Progressions 7
Lecture 197 Inverted Cadence
Lecture 198 Phrygian Cadence
Lecture 199 Auxiliary Chords
Lecture 200 Auxiliary 6/4
Lecture 201 Arpeggio 6/4
Lecture 202 Harmonic Sequence
Lecture 203 Single Part Implied Harmony
Section 45: Decoration 7
Lecture 204 Passing Notes 2
Lecture 205 Auxiliary Notes 2
Lecture 206 Auxiliary Harmony Notes 2
Lecture 207 Appoggiaturas 2
Lecture 208 Chromatic Appoggiaturas
Lecture 209 Suspensions
Lecture 210 Retardations
Lecture 211 Analysing Harmony with Decoration Part 1
Lecture 212 Analysing Harmony with Decoration Part 2
Section 46: Figured Bass 7
Lecture 213 Added 7th Chords
Lecture 214 4-3 Suspensions
Lecture 215 Figure 4
Lecture 216 9-8 Suspension
Lecture 217 7-6 Suspension
Lecture 218 Figure 9
Section 47: Level 7 Quiz
Section 48: Rhythm 8
Lecture 219 Compound and Simple /32 Time Signatures
Section 49: Scales and Keys 8
Lecture 220 Parallel Keys
Lecture 221 The Blues Scale
Lecture 222 The Whole Tone Scale
Lecture 223 Serialism
Lecture 224 Serialism - Sounding Atonal
Lecture 225 Serialism - How to Compose
Lecture 226 Distant Modulation
Lecture 227 Prevailing Key Identification
Section 50: Transposition 8
Lecture 228 Transposing an Orchestral Score
Section 51: Harmony 8
Lecture 229 Extended Dominant Chords
Lecture 230 Chromatic Chords
Lecture 231 Augmented 6th Chords
Lecture 232 Secondary Dominant Chords
Lecture 233 Borrowed Chords
Lecture 234 Chord iv Minor (Borrowed)
Lecture 235 Chord ♭VI (Borrowed)
Lecture 236 Chord ii° (Borrowed)
Lecture 237 Other Chromatic Chords
Lecture 238 False Relations
Lecture 239 Analysing Harmony with Decoration 3
Lecture 240 3-Part Harmony Voice Leading
Section 52: Progressions 8
Lecture 241 Pedal 6/4
Lecture 242 Harmonic Sequence with Suspensions
Section 53: Figured Bass 8
Lecture 243 Figure 5
Lecture 244 Figure 5/4
Lecture 245 Figured Decoration
Section 54: Level 8 Quiz
Anyone keen to learn how much works and increase their understanding and enjoyment of music
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