VA - Dim Lights, Thick Smoke And Hillbilly Music 1970 (2013)

[TheCornor]

Artist: VA

Title: Dim Lights, Thick Smoke And Hillbilly Music 1970

Year Of Release: 2013

Label: Bear Family Records

Genre: Country, Bluegrass, Hillbilly, Progressive Country

Quality: Mp3 320 / Flac (image, .cue, log)

Total Time: 85:50

Total Size: 227/505 Mb

 

 

 

Tracklist:

 

01. Conway Twitty - Hello Darlin'

02. Lynn Anderson - Rose Garden

03. Jerry Lee Lewis - Once More With Feeling

04. Merle Haggard - The Fightin' Side Of Me

05. Johnny Cash - What Is Truth

06. Bobby Bare - How I Got To Memphis

07. Roy Clark - Thank God And Greyhound

08. Loretta Lynn - Coal Miner's Daughter

09. Tompall & The Glaser Brothers - Gone Girl

10. Dolly Parton - Mule Skinner Blues (Blue Yodel No. 8)

11. Guy Drake - Welfare Cadilac

12. Jerry Reed - Amos Moses

13. Sammi Smith - Help Me Make It Through the Night

14. Tom T. Hall - A Week In A Country Jail

15. Flying Burrito Brothers - Wild Horses

16. Charley Pride - Is Anybody Goin' To San Antone

17. Ray Price - For The Good Times

18. Tammy Wynette - Run, Woman, Run

19. George Jones - A Good Year For The Roses

20. Waylon Jennings - The Taker

21. Dolly Parton - Joshua

22. Jerry Lee Lewis - There Must Be More To Love Than This

23. Loretta Lynn & Conway Twitty - After The Fire Is Gone

24. Johnny Cash - Sunday Morning Coming Down

25. Billy Joe Shaver - Chicken On The Ground

26. Conway Twitty - Fifteen Years Ago

27. Marty Robbins - My Woman, My Woman, My Wife

28. Mickey Newbury - How I Love Them Old Songs

 

If the music on the 1970 volume of Bear Family's superlative ongoing Dim Lights, Thick Smoke and Hillbilly Music series isn't as wild and adventurous as that on 1969's, chalk it up to the record industry assimilating the shifting fashions of the time. Nothing here sounds as wild as the singles on the 1969 volume, but everything here still feels modern: Dolly Parton's "Joshua" is nearly as lean and ornery as Waylon Jennings' "The Taker," Johnny Cash's "Sunday Morning Coming Down" is a finely realized hangover ode that never would've been written three years prior, Roy Clark's novelty "Thank God and Greyhound" pops with tacky vitality. Elsewhere, there is sinewy Merle Haggard ("The Fightin Side of Me"), robust Jerry Lee Lewis ("There Must Be More to Love Than This," "Once More with Feeling"), AM crossovers from Lynn Anderson ("Rose Garden") and Sammi Smith ("Help Me Make It Through the Night"), pure Nashville schmaltz symphonies from George Jones ("A Good Year for the Roses") and Ray Price ("For the Good Times"), crackling country-rock from Jerry Reed ("Amos Moses"), then the slightest hints of country-rock (Flying Burrito Brothers' "Wild Horses," which doesn't feel of piece with the rest here), and outlaw country (Billy Joe Shaver's "Chicken on the Ground"). All these loose ends combine into one singular sound that is the dawn of a new decade, one where all the progressive country, psychedelia, Bakersfield sound, and Nashville polish combine into a new mainstream, and Dim Lights 1970 winds up fascinating for how it documents that shift.

 

Lossless:

 

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